Kreativität und Form: Programm eines Glasperlenspiels zum Experimentieren mit Wissen (German Edition)
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Bucherer seit dem Jahr 2oo5. Zum Aufzugsrotor gesellt sich dort nun auch ein ebenfalls peripher gelagertes Tourbillon — das hat es noch nicht gegeben. Und: Durch die seitliche Befestigung mithilfe von drei Minikeramikkugellagern scheint das Drehgestell im Raum zu schweben.
Full text of "Nvmen"
Anker und Ankerrad aus Silizium arbeiten nahezu frei von Reibungsverlusten und tragen so zur Gangautonomie von 65 Stunden bei. Seine Millimeter-Schale besteht aus sandgestrahltem Titan. Das Manufakturkaliber BVL konventioneller Bauweise mit liegendem Kugellager-Tourbillon ist gar nur 1,95 Millimeter hoch — lacher geht es derzeit wirklich nicht. Auflage: 5o. Das war noch nie da: zwei derartige Komplikationen in einer Armbanduhr zu dem Preis! Girard-Perregaux hat der seit verwendeten Werkarchitektur ein wahrhaft futuristisches Antlitz verliehen.
Es besteht aus 8o zum Teil wirklich winzig kleinen Teilen und wiegt lediglich ein viertel Gramm. Vier Spannelemente sind ebenfalls am Platz.
Der Schutz der iligranen Mechanik ist so in allen Spiel- und Lebenslagen garantiert. Dieses spezielle Zertiikat bezieht sich freilich nicht nur aufs eigene Automatikkaliber Heuer o2-T, sondern die ganze Armbanduhr. Den vollen Durchblick liefert Hublot.
The following year, Henry van de Velde came to Weimar and was enlisted by Elisabeth to refurbish the Nietzsche-Archiv. Thiel would become a vital financial backer. Nietzsche prided himself on being a good European and was often disgusted by German chauvinism. This did not deter Elisabeth from collaborating with the fascists both out of financial expediency and con- viction. Although she admired Benito Mussolini more than Adolf Hitler, Elisabeth gratefully accepted the logistic help offered by the National Socialists; Hitler even helped her from his private purse.
The symbiotic relationship ensured that Elisabeth felt important and flattered, and the National Socialists made propaganda by claiming Nietzsche as a proto- fascist. It was also good publicity for Hitler to be photographed beside an endearing little old lady who, though she was childless, seemed to represent German motherhood, casting Hitler as dutiful son. When she died in , the whole administration of the Nietzsche-Archiv, headed by Max Oehler, was firmly in support of the Third Reich.
Heinrich Haertle in Nietzsche und der Nationalsozialismus argued that Nietzsche hated the Jews, but not all National Socialists wanted to claim Nietzsche as one of their own. If Heidegger stood to the right in German politics, there was a group of philosophers who stood very much to the left and who gravitated toward the Marxist Max Horkheimer, a philosopher in Frankfurt, to the extent that they are now referred to as the Frankfurt School, even though most of them were obliged to emigrate to America during the s.
Art appeared in the same year. Aphorismes et Fragments, translated by Henri Lichten- berger. Also in appeared A. Marnold and J. The latter was one of the earliest appreciators of Nietzsche in France, publishing an article on the plans for a collection of translations of Nietzsche into French in the Mercure de France as early as Maurras found in Nietzsche much to counteract the decadence that his nationalistic move- ment sought to overturn. Both Rebell and Lasserre were bowled over by their first contact with Nietzsche, while Maurras had to overcome initial reservations.
It is understandable that socialist critics of Nietzsche should find his comments on aristocratic values a challenge to their interpretations. They were inclined to see Nietzschean elitism as a metaphor for the inner man, a standpoint they could glean from Thus Spoke Zarathustra rather than from On the Genealogy of Morality. In the literature of the French avant-garde, the influence of Nietzsche was already manifest in the absurdist plays of Alfred Jarry, notably Ubu Roi Paul Adam spiced his Le Serpent noir with Nietzschean allusions.
As with the essayists, sociolo- gists, and thinkers, their political stance varied greatly.
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A radical lessening of interest in Nietzsche occurred as a result of World War I. As in Britain, Nietzsche was held partly responsible for the outbreak of hostilities. Groethysen, who had studied under Wilhelm Dilthey, introduced the French to a new variant of vitalist thought that rejected scientific facts and paved the way for an anti-intellectualism among the French philosophical establishment that would have far- reaching consequences. French commentators felt they had acquitted themselves well if they simply voiced disapproval of such tactics.
Nicolas and Nietzsche by the Marxist Henri Lefebvre Nietzscheanism in France fluctuated with the reception of Bergson- ism during the two decades — Sartre had his own agenda to pursue, which would evolve an ethic of authenticity in which Nietzschean ideas on individualism are displaced.
Throughout the s, Nietzsche continued to be largely ignored by philosophy departments in French universities, where the professors were more interested in teaching Henri Bergson and Edmund Husserl than Nietzsche, in spite of the efforts of individu- als such as Hans Wahl, who in the late s held courses on Nietzsche. His Nietzsche. It was precisely at that moment that a new generation of young philosophers and writers were undertaking research on Nietzsche, among them Michel Foucault, Jacques Derrida, Pierre Bourdieu, and Michel Serres.
The event that renewed French passion for Nietzsche and that stands out as a landmark in European Nietzscheanism was the conference held in Royeaumont, near Paris, in Nevertheless, in France, the overwhelming pattern for at least two decades was for novelists and writers to be inspired by both deconstructive theories and by the postmodern ethos of the New Nietzsche; practitioners included Marguerite Duras and Michel Tournier, though the influence of Marx, Freud, and Jacques Lacan must be taken into account at all times.
Fisher-Unwin used the translations by Tille and Common as the material for volumes 2 and 3, respectively, of their ambitiously named project The Works of Friedrich Nietzsche, which appeared between and This edition, published by T. The previously mentioned translations, which were widely reviewed in such journals as The Savoy, started off a veritable Nietzsche craze in Britain, and by the turn of the century there were two journals openly sympathetic to Nietzscheanism: The Eagle and the Serpent, edited by Erwin McCall — , and Notes for Good Europeans, edited by Thomas Common — Although Nietzsche was certainly not a household name in Britain at large, among the intelligentsia there was a renewed spate of interest in him from until the outbreak of World War I.
The right-wing Ludovici clung to his extremist views until his death in In Great Britain, as in France, Nietzscheans were at first more promi- nent on the left than on the right, and distinctions also have to be made between critics and creative writers, since the latter often refused to acknowledge their debt to Nietzsche. Among the critical enthusiasts, the political spectrum went from the socialist Orage on the left to Kennedy on the far right. Among writers, a similar spectrum can be traced from George Bernard Shaw to D.
Wells, Rupert Brooke, Eric Gill, and Shaw, though the latter played down any direct debt, notwithstanding the Nietzschean title of his play Man and Superman Yeats, made a comparison between Nietzsche and William Blake as visionary prophets, and Arthur Symons made this comparison in his William Blake Yeats was also the most perceptive British interpreter of the doctrine of eternal return. The first British novel to have a Nietzschean hero was W.
Another important field for discussion among British Nietz- scheans was the dichotomy between Apollo and Dionysus.
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The much- simplified distinction was usually made between Dionysus, the god of passion, and Apollo, the god of restraint. Apollo was seen as the god of reason and intellect; Dionysus was linked with pagan aban- donment. Lawrence also profiled the elements of a Southern climate such as Africa when describing the unreflecting instinctual life of the native in Women in Love , draw- ing a contrast with the unhealthy inhibitions of the Northerner.
Discussions of Nietzsche in the many articles on him prior to World War I show the characteristic variety of viewpoints so typical of Nietz- scheanism: either Nietzsche often not distinguished from Zarathustra was deplored as heralding cruelty, or his liberation of the body was ecstatically applauded; his antidemocratic stance tended to be explained away as an aesthetic ploy.
Lawrence, and George Barker.
His We Moderns , a book of aphorisms that were taken to be a Nietzschean pastiche, deals with Nietzsche passim. Muir, a socialist and Christian, found the contra- dictions in being a Nietzschean too hard to sustain, and he subsequently repudiated his fanatical Nietzsche phase. Hulme, G. Chesterton, Thomas Hardy, Arnold Bennett, George Meredith, and Aldous Huxley, though it could be argued that the Nietzschean current in Britain during the years — was so strong that few writers could really claim to have remained unaffected. Robert Bridges and Thomas Hardy were swift to blame the war on Nietzsche, and Oscar Levy labored in vain to convince the British that Nietzsche had no connection with German bel- ligerence.
During the s, the interest among avant-garde intellectuals shifted away from Nietzsche, whose name was now tarnished, to Karl Marx.
birdpohaphocare.tk Father Copleston was alone in his attempt to render Nietzsche theologically harmless; his Friedrich Nietzsche, Philosopher of Culture and St. Thomas and Nietzsche echoed the many similar attempts of French theologians—who were usually Catholic. The silence on Nietzsche in Britain was finally broken with the pub- lication of F. The sympathetic tone was maintained in R. Stern, David Cooper, and Michael Tanner, all of whom were pioneers in the then hostile climate of the British ivory tower.
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Hollingdale was the undisputed sage of Nietzsche studies in Britain until his death 28 September The play satirically surveys all the horses that could possibly relate to Nietzsche. An author today often makes a casual reference to Nietzsche, expecting the general public to know chapter and verse. British philosophers today such as Keith Ansell-Pearson and David Owen have tended to support the principles of the New Nietzsche, as did Germanists like Duncan Large, though Paul Bishop and Nicholas Martin both Germanists have held firmly to a classical interpretation.
The general public has at last been weaned from the lingering impression that Nietzsche was a protofascist. Although Nietzsche himself admired Ralph Waldo Emerson, he almost certainly did not know about Walt Whitman, whose vitalism became a cult phenomenon in Germany in , only months before Nietzsche lapsed into insanity. A shift toward appreciation of Nietzsche then took place: the works of James G. Huneker and Henry L. Mencken are milestones in Nietzsche reception. Huneker and Percival Pollard attempted to make Nietzsche popular in America by stressing the theme of art in his work.
Huneker in turn introduced Mencken to Nietzsche. Wright, whose What Nietzsche Taught came out in The idea of the Superman was what he found most appealing and what he used for his character portrayals in The Sea Wolf — , The Iron Heel , Martin Eden and Burning Daylight , but none of these approach the archetypal mythic quality of Call of the Wild and White Fang In particular, Fletcher here worked out his own religious strug- gle with the death of God. During the s, America received a large number of refugees from Germany who went on to contribute to the intellectual life of the nation.
All had read Nietzsche and had something relevant if not always complimentary to say about his thought. Culturally, too, refugees such as the artist Max Beckmann provided a fulcrum for new trends. Beckmann had already experienced the full force of the enthusiastic Nietzscheanism of Ger- man Expressionism. Nietzsche scholarship took a nosedive during the s; it was politically incorrect to have anything to do with a writer suspected of fascist tendencies. Nietzsche was not really rehabilitated until Walter Kaufmann published his Nietzsche: Philosopher, Psychologist, Antichrist in Kaufmann would become a tireless promoter of Nietzsche through a series of translations of his works.
Richard Rorty has investigated irony in connection with Nietzsche, asserting that for Nietzsche, the ironical stance was a way of pursuing theoretical metaphysical discourse. Eternal return— which, true to its name, comes in and out of fashion—is once again a priority topic, this time with the focus on physics, with the real risk that Nietzsche criticism might become as bogged down in pseudoscience as it did in French feminist terminology.